count basie instrument

In 1935, Basie formed his own jazz orchestra, the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. As with "Willow Weep for Me" (SCCJ II/13), the "A" section of the AABA form sounds deceptively like a blues (because the harmony moves to IV in the fifth bar).32-bar AABA: On the West Coast, in 1942 the band did a spot in Reveille With Beverly, a musical film starring Ann Miller, and a "Command Performance" for Armed Forces Radio, with Hollywood stars Clark Gable, Bette Davis, Carmen Miranda, Jerry Colonna, and the singer Dinah Shore. [75], Basie also recorded with Tony Bennett in the late 1950s. There were further nominations for best jazz performance for Basie at Birdland in 1961 and The Legend in 1962. Basie is a part of the Big Band Leaders issue, which, is in turn, part of the Legends of American Music series. This group was eventually called the New Testament band. [9] When not playing a gig, he hung out at the local pool hall with other musicians, where he picked up on upcoming play dates and gossip. At the first Grammy Awards ceremony, Basie won the 1958 awards for Best Performance by a Dance Band and Best Jazz Performance, Group, for his Roulette Records LP Basie. Dance hall bookings were down sharply as swing began to fade, the effects of the musicians' strikes of 1942–44 and 1948 began to be felt, and the public's taste grew for singers. Joe Williams toured with the band and was featured on the 1957 album One O'Clock Jump, and 1956's Count Basie Swings, Joe Williams Sings, with "Every Day (I Have the Blues)" becoming a huge hit. His father played the mellophone, and his mother played the piano; in fact, she gave Basie his first piano lessons. Basie's orchestra was characterized by a light, swinging rhythm section that he led from the piano, lively ensemble work, and generous soloing. His personnel around 1937 included: Lester Young and Herschel Evans (tenor sax), Freddie Green (guitar), Jo Jones (drums), Walter Page (bass), Earle Warren (alto sax), Buck Clayton and Harry Edison (trumpet), Benny Morton and Dickie Wells (trombone). [12][13] His touring took him to Kansas City, St. Louis, New Orleans, and Chicago. a. Later that year, Basie appeared on a television special with Fred Astaire, featuring a dance solo to "Sweet Georgia Brown", followed in January 1961 by Basie performing at one of the five John F. Kennedy Inaugural Balls. Shop and Buy Count Basie - Volume 17 sheet music. August 21, 2017. By the mid-1950s, Basie's band had become one of the preeminent backing big bands for some of the most prominent jazz vocalists of the time. The first theme… Count Basie, like most of the bandleaders who had lived through the glory days of the swing era, had to confront some harsh realities as the 1950s began. Next, Basie played at the Savoy, which was noted more for lindy-hopping, while the Roseland was a place for fox-trots and congas. Basie is remembered by many who worked for him as being considerate of musicians and their opinions, modest, relaxed, fun-loving, dryly witty, and always enthusiastic about his music. She was born with cerebral palsy and the doctors claimed she would never walk. Undergoing expansion and personnel changes, it returned to Chicago, then to the Ritz Carlton Hotel in Boston. A towering figure in big-band jazz, with a lean piano style and a gift for setting tempos and making a rhythm section swing. [76] In 1968 Basie and his Band recorded an album with Jackie Wilson titled Manufacturers of Soul. Basie's health gradually deteriorated during the last eight years of his life. Sinatra-Basie satisfied that desire, reaching the Top Five in early 1963. [46], The publicity over the big band battle, before and after, gave the Basie band a boost and wider recognition. Jimmy Rushing became the singer. [30], In that city in October 1936, the band had a recording session which the producer John Hammond later described as "the only perfect, completely perfect recording session I've ever had anything to do with". This provided an early training that was to prove significant in his later career. Switching to RCA Victor Records, he topped the charts in February 1947 with "Open the Door, Richard!," followed by three more Top Ten pop hits in 1947: "Free Eats," "One O'Clock Boogie," and "I Ain't Mad at You (You Ain't Mad at Me).". They played at the Reno Club and sometimes were broadcast on local radio. On Saturday, March 21st, the Count Basie Center Academy of the Arts has the perfect gift for parents worn down after a week of teaching: A break. The band's vocalist was Jimmy Rushing. Frank Sinatra recorded for the first time with Basie on 1962's Sinatra-Basie and for a second studio album on 1964's It Might as Well Be Swing, which was arranged by Quincy Jones. [17], In 1928, Basie was in Tulsa and heard Walter Page and his Famous Blue Devils, one of the first big bands, which featured Jimmy Rushing on vocals. We set the thing up front in D-flat, and then we just went on playing in F." It became his signature tune. When Moten died in 1935, Basie took over the band and developed it as his own. Basie returned to New York for an extended engagement at the small club the Famous Door in 1938 that really established the band as a success. August 21, 2018. He led the group for almost 50 years In May 2019, Basie was inducted into the Blues Hall of Fame at a ceremony in Memphis, TN, presented by The Blues Foundation. By then, Basie was playing with pick-up groups for dances, resorts, and amateur shows, including Harry Richardson's "Kings of Syncopation". Box Office: 732.842.9000. Count Basie and Kay Starr. Early after his arrival, he bumped into Sonny Greer, who was by then the drummer for the Washingtonians, Duke Ellington's early band. She took in laundry and baked cakes for sale for a living. Many former members of the Moten band joined this nine-piece outfit, among them Walter Page (bass), Freddie Green (guitar), Jo Jones (drums), and Lester Young (tenor saxophone). 6. (Holiday did not record with Basie, as she had her own record contract and preferred working with small combos). During its heyday, The Gong Show (1976–80) used Basie's "Jumpin' at the Woodside" during some episodes, while an NBC stagehand named Eugene Patton would dance on stage; Patton became known as "Gene Gene the Dancing Machine". In 2009, Basie was inducted into the New Jersey Hall of Fame.[89]. The Barons of Rhythm were regulars at the Reno Club and often performed for a live radio broadcast. January 30, 2018. Both of his parents had some type of musical background. "Taxi War Dance," Count Basie. William James "Count" Basie (/ˈbeɪsi/; August 21, 1904 – April 26, 1984)[1] was an American jazz pianist, organist, bandleader, and composer. September 28, 2017. Fichier multi-pistes au standard General MIDI DEUTSCH : MIDI Instrumentalversion des Liedes "Splanky - Count Basie (INSTRUMENTAL)", das durch Count Basie bekannt wurde. [40] His first official recordings for Decca followed, under contract to agent MCA, including "Pennies from Heaven" and "Honeysuckle Rose". William James (August 21, 1904 - April 26, 1984), known as Count Basie, was a jazz pianist, but also an organist and composer. The following year, in 1929, Basie became the pianist with the Bennie Moten band based in Kansas City, inspired by Moten's ambition to raise his band to the level of Duke Ellington's or Fletcher Henderson's. Find an answer to your question count basie is known for playing which instrument tgghk tgghk 11/01/2016 History High School Count basie is known for playing which instrument 2 See answers shelbyherrick shelbyherrick Known for playing mostly the piano likableadvisers likableadvisers Answer: [15], Back in Harlem in 1925, Basie gained his first steady job at Leroy's, a place known for its piano players and its "cutting contests." He finished junior high school[7] but spent much of his time at the Palace Theater in Red Bank, where doing occasional chores gained him free admission to performances. Basie had Holiday, and Webb countered with the singer Ella Fitzgerald. Their albums together included In Person and Strike Up the Band. In 1942, they moved to Queens. His mother taught him to play the piano and he started performing in his teens. Count Basie / Sarah Vaughan - Count Basie/Sarah Vaughan music CD album at CD Universe, Live Recording, enjoy top rated service and worldwide shipping. Basie credited Billy Eckstine, a top male vocalist of the time, for prompting his return to Big Band. November 14, 2017. Williams remained with Basie until 1960, and even after his departure, the band continued to prosper. Count Basie's Great American Swing Contest is an educational contest bridging the gap between the Swing generation and today's Jazz youth. Image of Wayne King, Count Basie, Duke Ellington and Bill Elliot at Big Band Festival at Disneyland, Anaheim, 1964. Basie left in early 1929 to play with other bands, eventually settling into one led by Bennie Moten. vaudeville circuits; and as a soloist and accompanist to blues singer Gonzelle White as well as Crippen. During the interview Count Basie mentions that one of the modern artists he respects the most is Dave Brubeck. He played the vaudeville, before he formed his big band and contributed to the creation of a swing. [31] Hammond had heard Basie's band by radio and went to Kansas City to check them out. It made its recording debut on Decca Records in January 1937. The big bands' decline in popularity in the late '40s hit Basie as it did his peers, and he broke up his orchestra at the end of the decade, opting to lead smaller units for the next couple of years. He was back in the hospital in 1981, and when he returned to action, he was driving an electric wheel chair onto the stage. One of Basie's biggest regrets was never recording with Louis Armstrong, though they shared the same bill several times. "Stop Beatin' Round the Mulberry Bush," with Rushing on vocals, became a Top Ten hit in the fall of 1938. Read Full Biography. Dropping out of school, he learned to operate lights for vaudeville and to improvise accompaniment for silent films at a local movie theater in his home town of Red Bank, New Jersey. William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. He joined the Bennie Moten orchestra in Kansas City, later organizing his own orchestra and performing on radio. Video: Count Basie at Birdland. Received an honorary doctorate from Berklee College of Music in 1974. Basie then formed his own nine-piece band, Barons of Rhythm, with many former Moten members including Walter Page (bass), Freddie Green (guitar), Jo Jones (drums), Lester Young (tenor saxophone) and Jimmy Rushing (vocals). Late one night with time to fill, the band started improvising. See the Count Basie Orchestra Discography. His instrument was his band, which was considered the epitome of swing and became broadly influential on jazz. [48] When Eddie Durham left for Glenn Miller's orchestra, he was replaced by Dicky Wells. Basie toured in several acts between 1925 and 1927, including Katie Krippen and Her Kiddies (featuring singer Katie Crippen) as part of the Hippity Hop show; on the Keith, the Columbia Burlesque, and the Theater Owners Bookers Association (T.O.B.A.) Piano. Another key recording of this period was an instrumental reading of "April in Paris" that made the pop Top 40 and the R&B Top Ten in early 1956; it also was enshrined in the Grammy Hall of Fame. "April in Paris" (arrangement by Wild Bill Davis) was a best-selling instrumental and the title song for the hit album. Count Basie, American jazz musician noted for his spare, economical piano style and for his leadership of influential and widely heralded big bands. In 1959, Basie's band recorded a "greatest hits" double album The Count Basie Story (Frank Foster, arranger), and Basie/Eckstine Incorporated, an album featuring Billy Eckstine, Quincy Jones (as arranger) and the Count Basie Orchestra. [45] In early 1938, the Savoy was the meeting ground for a "battle of the bands" with Chick Webb's group. [25] The band improved with several personnel changes, including the addition of tenor saxophonist Ben Webster. [29] Right from the start, Basie's band was noted for its rhythm section. [90] The board selects songs in an annual basis that are "culturally, historically, or aesthetically significant. [5] Greer and Basie played together in venues until Greer set out on his professional career. The orchestra was re-established commercially by the 1955 album Count Basie Swings - Joe Williams Sings (released on Clef Records), particularly by the single "Every Day (I Have the Blues)," which reached the Top Five of the R&B charts and was later inducted into the Grammy Hall of Fame. By the end of the 1960s, Basie had returned to more of a jazz format. She paid 25 cents a lesson for Count Basie's piano instruction. Many other bands later adapted the split tenor arrangement. https://www.answers.com/Q/What_instrument_did_Count_Basie_play As a result, the band was able to leave Kansas City in the fall of 1936 and take up an engagement at the Grand Terrace in Chicago, followed by a date in Buffalo, NY, before coming into Roseland in New York City in December. April 08, 2017. He also hired arrangers who knew how to maximize the band's abilities, such as Eddie Durham and Jimmy Mundy. Count Basie and his Friends, myspace.com. He said that Norman Granz got them into the Birdland club and promoted the new band through recordings on the Mercury, Clef, and Verve labels. During a stay in Chicago, Basie recorded with the band. [38] Compared to the reigning band of Fletcher Henderson, Basie's band lacked polish and presentation. After automobiles replaced horses, his father became a groundskeeper and handyman for several wealthy families in the area. Count Basie and his Orchestra played at the tenth Cavalcade of Jazz concert also at Wrigley Field on June 20, 1954. [58] They played to a crowd of 15,000. [21] In addition to playing piano, Basie was co-arranger with Eddie Durham, who notated the music. Hits of the 50's and 60's. They paced themselves to save their hottest numbers for later in the show, to give the audience a chance to warm up. Audiences of young people who had once flocked to hear and dance to his band, were now staying at home at night, to raise their children and watch television. He suffered a heart attack in 1976 that put him out of commission for several months. “One O’Clock Jump” was composed by Count Basie in 1937, in collaboration with saxophonist Buster Smith and arranger Eddie Durham. Jones also arranged and conducted 1966's live Sinatra at the Sands which featured Sinatra with Count Basie and his orchestra at the Sands Hotel in Las Vegas. With the exception of a brief period in the early '50s, he led a big band from 1935 until his death almost 50 years later, and the band continued to perform after he died. Basie was not a composer like Duke Ellington or an important soloist like Benny Goodman. He played along with The Flairs, Christine Kittrell, Lamp Lighters, Louis Jordan and His Tympany Five, Ruth Brown, and Perez Prado and his Orchestra.[59]. Jazz Musician of the Day: Count Basie. None of these albums attracted much commercial attention, however, and in 1962, Basie switched to Frank Sinatra's Reprise Records in a bid to sell more records. The band gained a residency at the Reno Club in Kansas City and began broadcasting on the radio, an announcer dubbing the pianist "Count" Basie. Lester Willis Young (August 27, 1909 – March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist.. Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. Oscar Peterson & Count Basie (piano)Niels Pedersen (bass)Martin Drew (drums)from bbc television Ella Fitzgerald made some memorable recordings with Basie, including the 1963 album Ella and Basie!. Their fame took a huge leap. He called Basie "Holy Man", "Holy Main", and just plain "Holy".[36]. [33] When he made the Vocalion recordings, Basie had already signed with Decca Records, but did not have his first recording session with them until January 1937. The orchestra was re-established commercially by the 1955 album Count Basie Swings - Joe Williams Sings (released on Clef Records), particularly by the single "Every Day (I Have the Blues)," which reached the Top Five of the R&B charts and was later inducted into the Grammy Hall of Fame. The place catered to "uptown celebrities," and typically the band winged every number without sheet music using "head arrangements. Count Basie was an American jazz pianist, organist, bandleader, and composer. [86], By 2011, four recordings of Count Basie had been inducted into the Grammy Hall of Fame, a special Grammy award established in 1973 to honor recordings that are at least 25 years old, and that have "qualitative or historical significance.". Hits of the 50's and 60's, which reached the Top 20 and won the 1963 Grammy Award for Best Performance by an Orchestra for Dancing. On September 11, 1996 the U.S. Post Office issued a Count Basie 32 cents postage stamp. Choose from Count Basie sheet music for such popular songs as The Glory of Love, Until I Met You (Corner Pocket), and Sweet Georgia Brown. Which instrument does Count Basie play? There were often no musical notations made. Read More. Who was Count Basie's main piano influence? On February 19, 1940, Count Basie and his Orchestra opened a four-week engagement at Southland in Boston, and they broadcast over the radio on 20 February. [34], By then, Basie's sound was characterized by a "jumping" beat and the contrapuntal accents of his own piano. His father played the mellophone, and his mother played the piano; in fact, she gave Basie his first piano lessons. After Vocalion became a subsidiary of Columbia Records in 1938, "Boogie Woogie" was released in 1941 as part of a four-record compilation album entitled Boogie Woogie (Columbia album C44). On May 23, 1985, William "Count" Basie was presented, posthumously, with the Presidential Medal of Freedom by President Ronald Reagan. [42] The band's first appearance at the Apollo Theater followed, with the vocalists Holiday and Jimmy Rushing getting the most attention. [74], Count Basie died of pancreatic cancer in Hollywood, Florida on April 26, 1984 at the age of 79.[1]. Basie also learned from Harlem stride pianists, particularly Fats Waller. [50] In 1939, Basie and his band made a major cross-country tour, including their first West Coast dates. She took in laundry and baked cakes for sale for a living. [79] In his autobiography, he wrote, "I think the band can really swing when it swings easy, when it can just play along like you are cutting butter."[80]. He reformed his group as a 16-piece orchestra in 1952. False 7. He also scored a series of Top Ten hits on the pop and R&B charts, including "I Didn't Know About You" (pop, winter 1945); "Red Bank Blues" (R&B, winter 1945); "Rusty Dusty Blues" (R&B, spring 1945); "Jimmy's Blues" (pop and R&B, summer/fall 1945); and "Blue Skies" (pop, summer 1946). She was 67 years old. For example, he went overseas for the first time to play in Scandinavia in 1954, and thereafter international touring played a large part in his schedule. Count Basie and His Orchestra: 2:47: 22: Don't Worry About Me. Jazz was especially appreciated in France, The Netherlands, and Germany in the 1950s; these countries were the stomping grounds for many expatriate American jazz stars who were either resurrecting their careers or sitting out the years of racial divide in the United States. [14] Before he was 20 years old, he toured extensively on the Keith and TOBA vaudeville circuits as a solo pianist, accompanist, and music director for blues singers, dancers, and comedians. He occasionally played four-hand piano and dual pianos with Moten, who also conducted. He constantly parried Chick's thundering haymakers with tantalizing runs and arpeggios which teased more and more force from his adversary. Once the musicians found what they liked, they usually were able to repeat it using their "head arrangements" and collective memory.[44]. Basie had been a member of a band led by pianist Benny Moten for several years. The retooled Basie band of the 1950s was a precision instrument nicknamed "The Basie Machine" by its admirers--a phrase that caught on with the band's detractors as well. [52] William James "Count" Basie (August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. [47], A few months later, Holiday left for Artie Shaw's band. They were divorced sometime before 1935. Find Count Basie bio, music, credits, awards, & streaming links on AllMusic - A towering figure in big-band jazz, with a lean… Basie favored blues, and he would showcase some of the most notable blues singers of the era after he went to New York: Billie Holiday, Jimmy Rushing, Big Joe Turner, Helen Humes, and Joe Williams. [70], During the balance of the 1960s, the band kept busy with tours, recordings, television appearances, festivals, Las Vegas shows, and travel abroad, including cruises. Basie's band was sharing Birdland with such bebop greats as Charlie Parker, Dizzy Gillespie, and Miles Davis. In 2005, Count Basie's song "One O'Clock Jump" (1937) was included by the National Recording Preservation Board in the Library of Congress National Recording Registry. [62] Soon, his band was touring and recording again. [54] They also continued to record for OKeh Records and Columbia Records. False 8. "[27] According to Basie, "we hit it with the rhythm section and went into the riffs, and the riffs just stuck. Little did Basie know this touch of royalty would give him proper status and position him with the likes of Duke Ellington and Earl Hines. In 2009, Edgecombe Avenue and 160th Street in, "Blues in Hoss' Flat," composed by Basie band member, Since 1963 "The Kid From the Red Bank" has been the theme and, This page was last edited on 15 January 2021, at 12:53. Basie recalled a review, which said something like, "We caught the great Count Basie band which is supposed to be so hot he was going to come in here and set the Roseland on fire. He also reached the charts with an album of show tunes, Broadway Basie's ... Way (1966). [53] Other minor movie spots followed, including Choo Choo Swing, Crazy House, Top Man, Stage Door Canteen, and Hit Parade of 1943. The new band included: Paul Campbell, Tommy Turrentine, Johnny Letman, Idrees Sulieman, and Joe Newman (trumpet); Jimmy Wilkins, Benny Powell, Matthew Gee (trombone); Paul Quinichette and Floyd "Candy" Johnson (tenor sax); Marshal Royal and Ernie Wilkins (alto sax); and Charlie Fowlkes (baritone sax). His lengthy career resulted in a large discography spread across all of the major labels and quite a few minor ones as well. Shop and Buy Count Basie Classics sheet music. In which city did Count Basie first hear the blues? [49] Adding to their play book, Basie received arrangements from Jimmy Mundy (who had also worked with Benny Goodman and Earl Hines), particularly for "Cherokee", "Easy Does It", and "Super Chief". Meanwhile, its recording of "One O'Clock Jump" became its first chart entry in September 1937. As Metronome magazine proclaimed, "Basie's Brilliant Band Conquers Chick's"; the article described the evening: Throughout the fight, which never let down in its intensity during the whole fray, Chick took the aggressive, with the Count playing along easily and, on the whole, more musically scientifically. Throughout his tours, Basie met many jazz musicians, including Louis Armstrong. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. [65], In 1958, the band made its first European tour. Download sheet music for Count Basie. A few months later, Basie quit MCA and signed with the William Morris Agency, who got them better fees.[51]. Upon Moten's untimely death on April 2, 1935, Basie worked as a soloist before leading a band initially called the Barons of Rhythm. He started his professional career as an accompanist in a vaudeville, and pianists from Harlem had great influence on him. In May 1970, Sinatra performed in London's Royal Festival Hall with the Basie orchestra, in a charity benefit for the National Society for the Prevention of Cruelty to Children. Basie hitched his star to some of the most famous vocalists of the 1950s and 1960s, which helped keep the Big Band sound alive and added greatly to his recording catalog. [39], The producer John Hammond continued to advise and encourage the band, and they soon came up with some adjustments, including softer playing, more solos, and more standards. Basie's new band which included many Moten alumni, with the important addition of tenor player Lester Young. Basie also toured with Bennett, including a date at Carnegie Hall. After automobiles replaced horses, his father became a groundskeeper and handyman for several wealthy families in the area. Basie added touches of bebop "so long as it made sense", and he required that "it all had to have feeling". Those four sides were released on Vocalion Records under the band name of Jones-Smith Incorporated; the sides were "Shoe Shine Boy", "Evening", "Boogie Woogie", and "Lady Be Good". Count Basie: New Testament Band. During a broadcast the announcer wanted to give Basie's name some style, so he called him "Count." [18] A few months later, he was invited to join the band, which played mostly in Texas and Oklahoma. It went so well; it was so thrilling and exciting". Behind the occasional bebop solos, he always kept his strict rhythmic pulse, "so it doesn't matter what they do up front; the audience gets the beat". He got some jobs in Asbury Park at the Jersey Shore, and played at the Hong Kong Inn until a better player took his place.[10].
count basie instrument 2021